animatedsmoke (
animatedsmoke) wrote2016-11-12 12:03 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
Who: Ky Kiske, Potemkin
What: New York New York
When: AU (Carvaka + Fables/The Wolf Among Us)
Where: New York
After so much struggle and work to force change on the universe, to have it show some acknowledgement to their efforts or make the barest turn toward their survival, it was change that came on them instead. Like an interstellar probe finding a star among millions, without any foreshadowing or warning a single dimension made itself known to discovery, and that was the moment when the inhabitants of Between found a world that had survived the death of the universe. At last there was some place that didn't resist life to exist on it, or resent it. The planet was alive, populated, growing, and distinctively Earth. But it was still not their Earth, and one could feel the difference with every moment taken in it. It was palpable in the air breathed, the sunlight felt, the mood of the sky. That was before even including interacting with the inhabitants, who turned out to be separate down to the physical definition of humanity.
It's not what anyone wanted. It's not what anyone asked or wished or dreamed for. But it is new chance, a fresh start, and in its purity of experience it is unfamiliar to everyone, which is both terrifying and equalizing.
Ultimately the tantalizing possibilities outweigh the undesirables. No one could bring themselves to refuse the hand. After years of waiting, the confidence had been instilled that nothing better would come, and that this escape was truly the chance of a lifetime. With the deal made, now they must deal with it.
________________
Potemkin throws a bus schedule or four on the nearest flat surface in front of Ky, the folded paper making a slap on the speckled plastic table that is audible even among the incessant sound of traffic outside. Potemkin doesn't add any words to his offering, expecting that the noise will get Ky to look up from whatever he's doing, and makes his way to the refrigerator. He had gone through a bureaucratic ordeal today, and these pieces from a Take One bin are the most significant fruits of his labor. Potemkin has a deep well of patience, but he seeks to refill it when it's drunk from.
It would be a miracle if Potemkin could fit in any form of public transportation (that isn't airship), but as shown by his flippancy he didn't pick those up for himself. Ky Kiske looks normal, at least, he will be able to pick up work, and look through both Fable and Mundie employers to do it (and maybe even someday hold a political position in Fabletown). A job anywhere in this city means some sort of commute. As for Potemkin, who stood out even in the world he was born in, he'll figure it out on his own.
Not that he has all the time in the world to do that, rent comes in a month.
What: New York New York
When: AU (Carvaka + Fables/The Wolf Among Us)
Where: New York
After so much struggle and work to force change on the universe, to have it show some acknowledgement to their efforts or make the barest turn toward their survival, it was change that came on them instead. Like an interstellar probe finding a star among millions, without any foreshadowing or warning a single dimension made itself known to discovery, and that was the moment when the inhabitants of Between found a world that had survived the death of the universe. At last there was some place that didn't resist life to exist on it, or resent it. The planet was alive, populated, growing, and distinctively Earth. But it was still not their Earth, and one could feel the difference with every moment taken in it. It was palpable in the air breathed, the sunlight felt, the mood of the sky. That was before even including interacting with the inhabitants, who turned out to be separate down to the physical definition of humanity.
It's not what anyone wanted. It's not what anyone asked or wished or dreamed for. But it is new chance, a fresh start, and in its purity of experience it is unfamiliar to everyone, which is both terrifying and equalizing.
Ultimately the tantalizing possibilities outweigh the undesirables. No one could bring themselves to refuse the hand. After years of waiting, the confidence had been instilled that nothing better would come, and that this escape was truly the chance of a lifetime. With the deal made, now they must deal with it.
________________
Potemkin throws a bus schedule or four on the nearest flat surface in front of Ky, the folded paper making a slap on the speckled plastic table that is audible even among the incessant sound of traffic outside. Potemkin doesn't add any words to his offering, expecting that the noise will get Ky to look up from whatever he's doing, and makes his way to the refrigerator. He had gone through a bureaucratic ordeal today, and these pieces from a Take One bin are the most significant fruits of his labor. Potemkin has a deep well of patience, but he seeks to refill it when it's drunk from.
It would be a miracle if Potemkin could fit in any form of public transportation (that isn't airship), but as shown by his flippancy he didn't pick those up for himself. Ky Kiske looks normal, at least, he will be able to pick up work, and look through both Fable and Mundie employers to do it (and maybe even someday hold a political position in Fabletown). A job anywhere in this city means some sort of commute. As for Potemkin, who stood out even in the world he was born in, he'll figure it out on his own.
Not that he has all the time in the world to do that, rent comes in a month.
no subject
"Mmmn. It looks like I am still significantly larger."
Potemkin becomes extremely quiet during Ky's measuring; if he moves less, he's less likely to do something embarrassing. But after a while, he speaks up for something he must say.
"Thank you."
no subject
He's about to wave off Potemkin's thanks, but he's well aware he's done that already. No need to repeat himself lest he start to come across as pushy. (Even though he can be, at times.)
"You're welcome," he says instead. Ky smooths out the fabric along the crook of Potemkin's neck, taking note of the thickness of the other man's throat. "It's difficult to believe how different our environment has become, compared to where we used to be. But, even if we're still trying to adjust here, at least the challenge of finding the right-sized clothing is preferable to facing mind-altering illusions."
no subject
"Or worrying about our very existence running out," Potemkin agrees.
No matter what problems they ran into while trying to live in this city, it all seems like a worthy trade for a world where life and death are more or less normal. No memory eating fog, no crippling fear, and no uncertainty on whether anything will still be around when he woke up.
no subject
What a relief to realize that wasn't the case. The worst he's had to deal with were their missing friends. (And maybe one or two inappropriate dreams. But that will disappear with time, he'll make sure of it.)
With a slight shake of his head, he pulls himself out of his thoughts. Leaning to the side to compare the length of Potemkin's arm to the sleeve, he continues his task.
"We've left a lot behind us, including our friends and allies." His tone is somber. "But I hope this change will lead to progress for us... and I hope we will be able to see our companions again."
no subject
"Like you I have no doubts. Just being alive is to keep up hope," Potemkin says his belief. There is more than one meaning to that, because while on one hand you do need to be alive to hope, they also exist as proof that people could make it despite the extensive journey. Potemkin is ready to wait for as long as it takes to witness this truth.
no subject
Finally finished with his sizing, Ky straightens up and pulls the shirt away from Potemkin's body. He folds it in half over his arm and takes a step back, regarding the man before him for a moment. Despite this drastic change, it is only a physical one. Potemkin is still the man Ky is familiar with. This conversation has assured that much, at least.
"Thank you for your patience," he finally says. "This will help me find something suitable for you. I'll go to the store tomorrow, after work. Will you be here?"
no subject
Potemkin speaks like he will absolutely hold himself to that. Indeed, he does consider Ky's time and energy a precious resource. The thought of him tired and exhausted afterwards his workday is a major part of why he wanted to get right into contributing with a job, discomfort with being able to walk under doorways aside. It may seem like a massive shift now, but it's negligible compared to the goal of no longer feeling the ineffectual yearning to help every time he saw him.
The next day Potemkin awaits for Ky in the living room, having spent the day housekeeping. He is actually holds some talent at it. For what he has to work with, the place looks neat and prim, being brought to his exacting standards. And a meal sits at ready, staying warm on the stovetop. Some effort and care can make even canned beans more appetizing.
no subject
Ky brightens at the sight of Potemkin (and with only the smallest hint of doing another mental double-take), greeting him with a smile. He lifts to show off a bag of clothes.
"Potemkin. I've returned with some gifts for you."
Inside the bag, Potemkin will find no less than three shirts. A blue long-sleeve, a green short-sleeve, and a white, button-down shirt. It cut into Ky's wallet quite a bit to get all three, but he didn't think twice about purchasing them all at once. Better to make sure Potemkin has a small variety now than to realize he needs something too late.
no subject
His attention is immediately dragged to the bag however. He takes it from Ky's hand (more forcefully than normal for him, like his reflexes are trying to advantage of not currently having a powerful body that inherently worked within restraint, and not entirely getting it right), and looks straight downwards while rooting through it.
"Thank you," he says, his voice affected by far he went for him just for a favor. He remains oblivious to how he wasn't idle either, but if pointed out, Potemkin would only say it's not like he doesn't need to eat too.
He picks one item out, to look at it curiously. It's the white shirt. "Like yours."
no subject
He tilts his head a bit. "I don't think it would look bad on you, however. You would make a fine impression."
Because of course he took that into consideration. Ky wouldn't grab just anything.
no subject
Would a specific clothing choice make him more like Ky? Give him an idea of what Ky likes for himself?
Potemkin is interested in following this line of logic because he trusts Ky's judgement, of course. He always has, and this is not out of the ordinary. As for why, it's not because Potemkin is waiting to impress strangers. In fact, the only judgement on Potemkin's mind is Ky. Potemkin can't shake off the idea that, with close adherence to his taste, Ky might like him more.
Especially in appearance. Potemkin realizes he's been slow to reply, and half-mumbles. "I'll try it on."
no subject
There's no hurry, and Ky doesn't take the hesitation to respond as an affront to his choice of clothing. He assumes this is yet another moment of adjustment for Potemkin. There's probably plenty of those moments now, even when doing the most mundane of tasks. All things considered, Ky has no room to complain about anything.
no subject
"Dinner should be ready by now," Potemkin says behind him as he's shuffling to his room, hunched over and legs crossing over themselves. It could easily be blamed on self-consciousness over his body, but mostly Potemkin is just desperate to move to his room before he can embarrass himself further.
Potemkin walks much more like his usual proud posture when he returns to the dinner table after a change in clothes. It's a way of carrying himsekf so well practiced by him, he pulls off almost the same amount of gravitas with several less feet in height. But in the details are small gestures of what's in his thoughts, how he clenches his hands together behind his back, the quick turns trying to catch Ky's expression.
no subject
Ky's eyes brighten as a smile crosses his lips. "You look excellent," he says, pleased. Potemkin's stature, even when altered, is still firmly military and sturdy in appearance. The clothes only emphasize the effect by keeping Potemkin looking clean and sharp. Ky is, admittedly, quite fond of the look.
"How does it feel? Does it fit well?"
no subject
Potemkin is very quick to sit down at his seat. There he has an excuse to look at the food. Which he does so while picking up the fork Ky laid out. He briefly stares at his own hand holding it between his fingers, like both the hand and the fork are now new oddities to him.
no subject
He holds his own fork in his hand, but doesn't eat yet. "How are you feeling today? Is it... easier?"
no subject
He sighed and pushed his hand a little into the table, like he's stepping back for now. "Yes. I think I'm getting used to this," he answers tentatively. It's an ongoing process. There's still a disconcerting feeling that crops up often enough to make him feel like he's moving under a fever or not full-awakened dream, but already it's just an irritation rather than a paralyzing sensation. It's never going to get as silly as avoiding eating in public for this.
"Do not worry. I should ask you how your day went," Potemkin says as he picks up his fork again. Due to not being able to freely move around yet, he's curious on what immersing oneself in the full brunt of the city is like on Ky.
no subject
It's both the truth and also a very obvious change in subject. He cares about how Potemkin is doing, but he's also trying his best to avoid complaining. Of course he's struggling to adjust in this environment. No matter how much this city has given them, they've still lost everything from before. But what Potemkin is dealing with is far greater than whatever Ky is dealing with, which means he's placing his own problems below Potemkin's.
no subject
Potemkin's method of fighting that impression is by following it exactly. He would not call it pouting, but his lips hitch slightly.
"I can handle more than this," he resists weakly. He'll need to call on a lot more stubbornness than that to match Ky. Where did all of it go?
no subject
"I know," he says. "I don't doubt your capabilities. Even with your current change, I know you are still capable of many great things."
He frowns slightly as he continues. "However, I don't want you to overwhelm yourself with too many changes at once. The environment of this world is also very different from what we're used to. I would like to see you become more familiar with your body before challenging the city."
no subject
It makes him feel like how he hasn't felt since he was back in Zepp.
"So it is," Potemkin says calmly, feeling like he's having entirely different conversations between the outer and inner world. So the one that Ky is witness to drops off suddenly.
no subject
Moments like these still manage to confound him at times, but at least he's mature enough to wait and contemplate before speaking again.
"I'm sorry if my words offended you," he says softly. "I don't mean to imply you cannot care for yourself."
no subject
"I understand now! It's the most clever plan to take on and master things one at a time!" Potemkin wags his fork in the air like he's excited to get to exercising. Not that Potemkin doesn't put his full effort into goals, but it seems a little forced.
no subject
"I— yes, that is what I am suggesting..." He trails off, still unsure. Handling changes one step at a time was his point, but it's not the most clever plan and it's not something that really warrants such praise. He doesn't think, at least.
But does he really want to argue that? No, the diplomat in him says, it's probably best to let that one be.
no subject
He has a lot to think about by himself anyway.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)