animatedsmoke (
animatedsmoke) wrote2016-11-12 12:03 am
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(no subject)
Who: Ky Kiske, Potemkin
What: New York New York
When: AU (Carvaka + Fables/The Wolf Among Us)
Where: New York
After so much struggle and work to force change on the universe, to have it show some acknowledgement to their efforts or make the barest turn toward their survival, it was change that came on them instead. Like an interstellar probe finding a star among millions, without any foreshadowing or warning a single dimension made itself known to discovery, and that was the moment when the inhabitants of Between found a world that had survived the death of the universe. At last there was some place that didn't resist life to exist on it, or resent it. The planet was alive, populated, growing, and distinctively Earth. But it was still not their Earth, and one could feel the difference with every moment taken in it. It was palpable in the air breathed, the sunlight felt, the mood of the sky. That was before even including interacting with the inhabitants, who turned out to be separate down to the physical definition of humanity.
It's not what anyone wanted. It's not what anyone asked or wished or dreamed for. But it is new chance, a fresh start, and in its purity of experience it is unfamiliar to everyone, which is both terrifying and equalizing.
Ultimately the tantalizing possibilities outweigh the undesirables. No one could bring themselves to refuse the hand. After years of waiting, the confidence had been instilled that nothing better would come, and that this escape was truly the chance of a lifetime. With the deal made, now they must deal with it.
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Potemkin throws a bus schedule or four on the nearest flat surface in front of Ky, the folded paper making a slap on the speckled plastic table that is audible even among the incessant sound of traffic outside. Potemkin doesn't add any words to his offering, expecting that the noise will get Ky to look up from whatever he's doing, and makes his way to the refrigerator. He had gone through a bureaucratic ordeal today, and these pieces from a Take One bin are the most significant fruits of his labor. Potemkin has a deep well of patience, but he seeks to refill it when it's drunk from.
It would be a miracle if Potemkin could fit in any form of public transportation (that isn't airship), but as shown by his flippancy he didn't pick those up for himself. Ky Kiske looks normal, at least, he will be able to pick up work, and look through both Fable and Mundie employers to do it (and maybe even someday hold a political position in Fabletown). A job anywhere in this city means some sort of commute. As for Potemkin, who stood out even in the world he was born in, he'll figure it out on his own.
Not that he has all the time in the world to do that, rent comes in a month.
What: New York New York
When: AU (Carvaka + Fables/The Wolf Among Us)
Where: New York
After so much struggle and work to force change on the universe, to have it show some acknowledgement to their efforts or make the barest turn toward their survival, it was change that came on them instead. Like an interstellar probe finding a star among millions, without any foreshadowing or warning a single dimension made itself known to discovery, and that was the moment when the inhabitants of Between found a world that had survived the death of the universe. At last there was some place that didn't resist life to exist on it, or resent it. The planet was alive, populated, growing, and distinctively Earth. But it was still not their Earth, and one could feel the difference with every moment taken in it. It was palpable in the air breathed, the sunlight felt, the mood of the sky. That was before even including interacting with the inhabitants, who turned out to be separate down to the physical definition of humanity.
It's not what anyone wanted. It's not what anyone asked or wished or dreamed for. But it is new chance, a fresh start, and in its purity of experience it is unfamiliar to everyone, which is both terrifying and equalizing.
Ultimately the tantalizing possibilities outweigh the undesirables. No one could bring themselves to refuse the hand. After years of waiting, the confidence had been instilled that nothing better would come, and that this escape was truly the chance of a lifetime. With the deal made, now they must deal with it.
________________
Potemkin throws a bus schedule or four on the nearest flat surface in front of Ky, the folded paper making a slap on the speckled plastic table that is audible even among the incessant sound of traffic outside. Potemkin doesn't add any words to his offering, expecting that the noise will get Ky to look up from whatever he's doing, and makes his way to the refrigerator. He had gone through a bureaucratic ordeal today, and these pieces from a Take One bin are the most significant fruits of his labor. Potemkin has a deep well of patience, but he seeks to refill it when it's drunk from.
It would be a miracle if Potemkin could fit in any form of public transportation (that isn't airship), but as shown by his flippancy he didn't pick those up for himself. Ky Kiske looks normal, at least, he will be able to pick up work, and look through both Fable and Mundie employers to do it (and maybe even someday hold a political position in Fabletown). A job anywhere in this city means some sort of commute. As for Potemkin, who stood out even in the world he was born in, he'll figure it out on his own.
Not that he has all the time in the world to do that, rent comes in a month.
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The blond doesn't reach out for them yet. He blinks at them instead.
"Oh."
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"Don't strain your eyes, if you persist on reading this late," Potemkin doesn't raise his voice past what's appropriate for the time.
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"You are far too attentive," he says with amusement. "I won't be reading for long."
So he claims, but Potemkin will know that Ky's focus knows no hour.
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And feeling Ky's fingers provides even more comfort, but Potemkin stays quiet, letting only his closed mouth twitch a little and his heart rise alone in his chest.
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He looks up to Potemkin. "Thank you. This helps me quite a bit."
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"It's good that I picked them up from the catacombs back then," Potemkin stays in the room for longer, in the glow from Ky's attention. "I thought you looked beautiful, even when I understood even less."
Every word from Potemkin is completely honest, so he is too straight-forward to realize this is a long-winded way of hitting on Ky.
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Ky sits up in his seat, newspaper momentarily ignored, his expression softening with a hint of shyness in his smile.
"I hardly deserve such praise," he says tenderly. And then a realization hits him. "Is that why you excused yourself so quickly that day?"
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"I. Uh. Did not behave in a way to be proud of," Potemkin mumbles. Recollecting the moment is very awkward, but he can't avoid it and excuse himself in front of Ky. "But I did notice you then." He notices Ky now, and Potemkin becomes abruptly quiet again.
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But he's not being oblivious now, that's for certain. For as much as Potemkin is noticing Ky, the blond is doing the same in return. He watches the way the other man mumbles awkwardly, yet manages to continue his honesty. He watches the quiet way Potemkin gazes at Ky with such a familiar expression and face, despite the other physical changes that come with wearing a glamour. The newspaper has lost all of Ky's attention now.
"I'm... glad I know now," he softly adds.
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"You are?" Potemkin asks with earnest surprise despite that he just heard the answer.
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And yet nothing is without complications, and Ky is comfortable enough to freely admit it to Potemkin. He pauses, expression growing serious although no less genuine.
"But I know it shouldn't... and I don't know what to do."
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With Ky turning to him for answers, Potemkin can't give him any less than his most serious attention. He represses the part of him that wants to ask Ky more questions.
"Regardless of what you know, you should also know to not think you can control what comes from the heart. I have my part in that too."
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He could never detach himself from the act of intimacy. Each encounter had a little bit of his heart put into it during the times he was mindful. It couldn't be helped. Ky was no Sol Badguy — he couldn't shove aside and ignore his heart like that.
"...but that's fine. I understand now it is the way I am. I accept it, even if it means I may find myself in confusion in the future."
Such as now. He looks up, giving Potemkin a gentle look through his glasses. The other man is slightly illuminated by the distant light, giving him a soft glow. No matter how serious the conversation is, Ky feels relaxed. There's some relief in having a moment like this to express his thoughts.
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"In that case...you give me hope that I can accept how I am, too," Potemkin closes his eyes, like he's finally found a break amidst all of these complicated issues. When he opens them, he sees Ky's face, showing him all of the kindness he's so fond of and the bespectacled look he just helped him out in. Potemkin raises his hand to his mouth, to subtly cover up his enjoyment. Potemkin isn't ready to be the one to deflate his own image.
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"You are a man of strength, Potemkin," he says as he sets the paper aside. "I have little doubt in your ability to accept yourself."
He slowly comes to a stand before the taller man. "But I'm glad I can offer you hope, at least."
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He becomes even a little confused when Ky goes up to him. Potemkin lowers his hand to talk, which exposes his expression enough - tenderness for Ky, and a small amount of nervousness.
"Ky?"
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It might be their proximity, or maybe it's old habits from the Fortress kicking in, but he's suddenly very aware of Potemkin's presence. He can be oblivious most of the time, but not now. Not when the atmosphere is like this. Calm, tender from their confessions, and... suspenseful. As if both of them are expecting something to happen.
Before he can catch himself, his hand is moving to rest on the side of Potemkin's neck.
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He has to remember all over again that Ky is this close, that it's this easy for Ky to reach out to him with his glamor on. To reach out, to touch... Potemkin has his restrained behavior even when his strength isn't visible, so he doesn't move an inch despite seeing his hand and giving every bit of Ky's actions an agonizing amount of attention.
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Ky didn't intend to invade Potemkin's space like this. He doesn't usually touch without asking. And yet, without a word, he's closing the distance between them and leaning in, gently pressing a chaste kiss to the taller man's lips.
He doesn't usually touch without asking... unless he's with someone he trusts that much.
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Now he's being kissed. Potemkin's eyelids fly open in the gentlest shock that could ever go through him, before Potemkin starts relying on his memory, of how to kiss back when a man who is at once delicate and strong is kissing him. He closes his eyes again as he meets Ky's lips with his own, returning just as much as Ky gives him.
Potemkin could have been completely absorbed with kissing, but he's just enough encouraged to also wrap his hand around the wrist of the hand of Ky's that is petting his neck.
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In other words, this moment is perfect.
It is by far the most romantic thing in the world. The apartment is run down, the light is dim because the electricity is weak, and they are both displaced from their homes. But Ky feels something akin to relief as he leans into the kiss. It's almost as if he needed this. As if he needed to hold and touch Potemkin for a while now. He didn't even realize it until he actually took that step.
He... missed this. The feeling of trust and intimacy that can only be associated with affectionate contact like this. And when they finally part from their kiss, he can't bring himself to break away from Potemkin's grasp.
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It's still so strange that Potemkin can even hold Ky like this, treat him with the delicateness he wants to express and feels Ky warrants without constant physical reminders of his limitations. The thought that ordinary people can experience this all the time makes him emotional, but it's an aside compared to the immediate acknowledgement, respect, and intimacy from Ky.
So he opens his eyes with a look that's not entirely happy. There's a smile on his face along with mournful, longing eyes that look only at Ky. Potemkin is still silent, partly because he's mum for words, partly because he trusts Ky to pick up what there is to understand.
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And perhaps that was the cause of the pain he can see in Potemkin's eyes.
Ky silently watches him, trying to think of something to say, until he decides he doesn't need words. With his other hand, he reaches for Potemkin's to gently pry it off his wrist. If he's successful, Ky will promptly bring the hand to his face.
It's an invitation to touch him. To continue touching him. To feel. To experience.
And Ky wants to be here to support him.
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What a heartstopper it is when Potemkin realizes Ky is taking his hand closer instead of off him. He picks up on the invitation very quickly, but he's much slower to act on it. Deliberately he moves his hand across, until he has Ky's cheek in his palm. He lightly curls his fingers, already almost breathless from feeling the warmness of his face.
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This is fine. He opens his eyes to focus on Potemkin again. To see the emotions in the other man's eyes. He wants to understand, too.
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